7 facts about Carl Schuch

Carl Eduard Schuch (30 September 1846 – 13 September 1903) was an Austrian painter, born in Vienna, who spent most of his lifetime uncovered Austria, in Germany, Italy and France. He painted primarily still lifes and landscapes.

From 1865 to 1867, he studied landscape painting below the academician Ludwig Halauska. Among his to the lead works are studies of heads which he said he wished to paint “like still-lifes, tone by tone, without emotion”. During the get older 1882–94 he was based in Paris, where he was greatly impressed by the pretense of Claude Monet—whom he described as “the Rembrandt of plein-air painting”—although he was attracted most of anything to Rembrandt and the artists of the Barbizon school. In 1884 and 1885 he spent the summer months in the Netherlands, studying the Dutch antiquated masters as with ease as the contemporary painters of the Hague School, and filling notebooks behind detailed descriptions of the colors he observed in paintings that he admired. Of whatever the artists belonging to the circle on the subject of Wilhelm Leibl (called the Leibl-Kreis), Schuch was the most devoted to color. His act out marks the transition from the realist tradition to the open-minded movement in Vienna.

Schuch’s most famous, and longest good relations was subsequently the artist Karl Hagemeister. The two met in Bavaria, traveled all over central Europe together, and settled for 3 years in Ferch, a small village south of Berlin. The two shared a very little house, sharing a single bedroom and painting the nature almost Ferch. The robust Hagemeister tended to the sore spot Schuch by cooking, hunting, and fishing for the pair. It has been speculated that the two were lovers. Their good relations ended gone Schuch moved to Paris. The last occasion of their meeting was in the same way as Schuch was visited by Hagemeister. This led to a disagreement just about the merit of Hagemeister’s then completed “Teller mit Austern” (1884), prompting Hagemeister to promptly dispose of 6 of his own works in the Seine, and a cessation of their relationship. Upon the death of Schuch, Max Liebermann prompted Hagemeister to write Schuch’s biography.

Schuch was financially independent and made little effort to exhibit his work; in his lifetime he sold without help one painting. His unconventional years were marked by a degenerative illness, and he stopped painting in 1891. He died in Vienna.