Donald Clarence Judd (June 3, 1928 – February 12, 1994) was an American player associated in the express of minimalism (a term he nonetheless stridently disavowed). In his work, Judd sought autonomy and clarity for the build up object and the declare created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy. Nevertheless, he is generally considered the leading international exponent of “minimalism,” and its most important theoretician through such writings as “Specific Objects” (1964). Judd voiced his unorthodox insight of minimalism in Arts Yearbook 8, where he asserts; “The supplementary three dimensional action doesn’t constitute a movement, school, or style. The common aspects are too general and too Tiny common to clarify a movement. The differences are greater than the similarities.”
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