11 facts about Ernő Tibor

Ernő Tibor, originally Fischer (28 February 1885 – early 1945) was a Hungarian Impressionist and Neo-Impressionist painter of Jewish ancestry.

From 1904 to 1905 he studied at the Academy of Fine Arts in Budapest gone Tivadar Zemplényi. It was there he became eager in painting scenes from everyday life. He could not, however, tolerate the conservative entrйe taken by the Academy so, thanks to a scholarship from the city paperwork of Nagyvárad (today Oradea, Romania), he went to Paris to psychoanalysis at the Académie Julian. While there, he worked afterward Jean-Paul Laurens, who encouraged him to paint portraits; notably of the poets Endre Ady and Ákos Dutka [hu], an old buddy from school.

After returning from Paris, he held his first solo exhibition in Oradea and was married immediately thereafter. From 1912 to 1914, he exhibited in Stockholm, Gothenburg, Copenhagen and several cities in Germany, but he always made Nagyvárad his center of activity. During this time, he with helped organize an art and literature intervention called “Holnap” (Tomorrow). He was often referred to as the “painter of Nagyvárad”.

His career was interrupted by utility in World War I, although he sketched though at the front. Afterward, he began to organize exhibits, including a major showing of local artists in Bucharest. He would continue to exhibit there at the Official Salon. Later in the 1920s, he made lengthy visits to Italy and France (notably Brittany). In 1935, with financial maintain from Oradea, he travelled the Black Sea coast from Balchik to the Soviet attach and expanded his palette of colors.

Following the start of the Fascist régime in 1940, persecution by the Iron Guard prevented him from participating in public undertakings in Romania, although he was skillful to quietly contribute to some as late as 1942. After that, he unsuccessfully tried to exhibit at the Budapest Salon. In the aftermath of Operation Margarethe, an effort was made to “cleanse” the Hungarian-speaking areas of Jews. In May 1944 he was transported to the combination camp at Auschwitz later transferred to a forced-labor intervention at Dachau. He was put to death there prematurely the bordering year, not long past the camp was liberated.

In 1990, an art action and gallery bearing his name was time-honored in one of Oradea’s historic buildings. In January 1992 a large retrospective of local Jewish painters was held at the Muzeul Țării Crișurilor in Oradea. The exhibition was called “Light and Spirit” and included Tibor’s works together considering those of Alex Leon, Ernő Grünbaum and Móric Barát (1880-1944).