Who is Georg Scholz?

Georg Scholz (October 10, 1890 – November 27, 1945) was a German realist painter.

Scholz was born in Wolfenbüttel and had his artistic training at the Karlsruhe Academy, where his teachers included Hans Thoma and Wilhelm Trübner. He higher studied in Berlin below Lovis Corinth. After military utility in World War I lasting from 1915 to 1918, he resumed painting, working in a style fusing cubist and futurist ideas.

In 1919 Scholz became a advocate of the Communist Party of Germany, and his performance of the neighboring few years is harshly vital of the social and economic order in postwar Germany. His Industrial Farmers of 1920 is an oil painting taking into consideration collage that depicts a Bible-clutching farmer next money erupting from his forehead, seated adjoining his horrible wife who cradles a piglet. Their subhuman son, his head get into at the summit to perform that it is empty, is torturing a frog. Perhaps Scholz’ best-known work, it is typical of the paintings he produced in the prematurely 1920s, combining a controlled, crisp talent with corrosive sarcasm.

Scholz quickly became one of the leaders of the New Objectivity, a society of artists who skilled a cynical form of realism. The most well-known among this charity are Max Beckmann, George Grosz and Otto Dix, and Scholz’s appear in briefly vied once theirs for ferocity of attack. By 1925, however, his admission had softened into something closer to neoclassicism, as seen in the Self-Portrait in front of an Advertising Column of 1926 and the Seated Nude in the proclaim of Plaster Bust of 1927.

In 1925, he was appointed a professor at the Baden State Academy of Art in Karlsruhe, where his students included Rudolf Dischinger. Scholz began contributing in 1926 to the satirical magazine Simplicissimus, and in 1928 he visited Paris where he especially appreciated the appear in of Bonnard.

With the rise to capability of Hitler and the National Socialists in 1933, Scholz was quickly dismissed from his teaching position. Declared a Degenerate Artist, his works were among those seized in 1937 as ration of a disconcert by the Nazis to “purify” German culture, and he was forbidden to paint in 1939.

In 1945, the French commotion forces appointed Scholz mayor of Waldkirch, but he died that same year, in Waldkirch.