Gonzalo Endara Crow (1936-1996, Bucay, Ecuador) was a Latin American writer and painter.
From an at the forefront age he was definitely interested in art and as a youth man he studied painting at the Central University in Quito. Endara Crow’s perform took on a clear style before in his career that stayed in the way of being of him throughout his life. Ecuadorian geography and the bright colors used by native artisans in their conduct yourself were two major influences that penetrated Endara Crow’s take steps for his entire career. Gonzalo Endara Crow is considered one of the most important Latin American painters of the second half of the 20th century. His produce an effect was universal and offered an aesthetic incline of Andean culture and people.
His most recognized painting is “El Tren Volador” (The Flying Train). As a child, Endara Crow was amazed by trains since his grandfather worked at the railroad; this became an inspiration for his masterpiece, in which he depicts a in the air train -hence the title- that blends into a lustrous mountainous landscape. Another common surreal motif in his paintings was raining bells or spheres as in his Untitled work dated July 29, 1988. Endara was then a sculptor, and sculpted two important monuments in Sangolquí, Ecuador. These two monuments are “El Choclo” and “El Colibrí”. Some of his pieces encompass elements of painting and sculpture both such as “El Cerro de la Iglesia” (1985) an acrylic act out enclosed inside a wood portal.
Various art historians and critics have referred to his accomplish as magical realism, a term often used as soon as speaking of twentieth-century Latin American literature. Just as in magical realist texts, paintings by Endara Crow objective to move ahead the categories of what is genuine so as to encompass myth. Magic and other fabulous phenomena in nature – all which are excluded by European culture – find their place in Endara Crow’s painting.
Magical realism in painting can be distinguished by the contact which authenticity and fantasy are blended. Any distinction together with the two is erased through the amalgamation of fantasy elements and mythology subsequently otherwise unrealistic fiction. As in the magical realist texts of Gabriel García Márquez, Gonzalo Endara Crow’s paintings weave in fantastic elements as soon as deadpan presentation transforming the unlikely into distinct reality behind a subtle mechanism: the treatment of light.
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