Hakob Kojoyan: 17 interesting facts

Hakob Kojoyan (Armenian: Հակոբ Կոջոյան; December 13, 1883 – April 24, 1959) was an Armenian artist.

He mostly worked in the genres of painting and applied art. Hakob Kojoyan assisted Armenian architect Alexander Tamanian in creating the jacket of arms for the First Republic of Armenia.

Hakob Kojoyan was born in 1883 in Akhaltsikhe in the relatives of goldsmith. In 1890 his intimates moved to Vladikavkaz, where Tiny Hakob attended the Craftsmen Secondary School. Meanwhile he moot goldsmith craft at his father’s workshop. During those years he was also full of zip in painting past the back up of Ossetian painter Makharbek Tuganov. After graduating from tall school, he left for Moscow to learn more jewelry skills where he studied at Prusov’s jewelry studio. In 1903 Kojoyan left for Germany. In Munich, he studied at Hashbury Studio and sophisticated at the Academy of Fine Arts. The “Self-portrait” created by him during these years is distinguished by its drawing, generalized reproduction of forms and virtuoso coloring. Here we look a young, self-confident juvenile man. Graduating from the Academy, he left for Paris and lived there until 1909. In Europe, he not abandoned explored the remarkable collections of the past, but with witnessed for the initiation of new paintings that have a significant influence upon him to become an artist. After returning to his original land he found out there unfavorable conditions for his creative work. By the initiation of World War I, the player went to the front. At the stomach he received the news of the Armenian genocide, which brought great pain and trouble to the artist. In 1918 he left for Armenia. During those years, as an artist, he participated in the excavations of Ani and copied the frescoes of the Church of the Savior (13th century), exploring the national artistic principles of Ani’s monuments. After the creation of Soviet declare in Armenia in 1920 Kojoyan, along taking into account several supplementary Armenian artists, was dynamic in the art department of “Haykavrosta” and had created agitation-propagandistic posters, caricatures, and so on according to the sample of the “ROSTA Window” (Moscow). In 1921 Kojoyan went to Tabriz, where the player studied the culture of the ancient eastern country of Persia, and began to accept an sprightly part in the cultural excitement of the local Armenian community. Kojoyan gave lectures at the Art Studio organized by Alexander Tamanyan. In 1922 he returned to Armenia. During those years the cultural dynamism in Yerevan was flourishing, the School of Fine Arts was founded by the Society of Fine Arts Workers of Armenia in the appearance of its departments of painting, sculpture and applied arts. Artists were effective in the works of the Haypethrat, the State Theater and the press. In 1939 Kojoyan participated in a ten-day exhibition of Armenian art in Moscow and was awarded the Order of the Red Banner of Labour, meanwhile he received the title of People’s Artist of the Republic.

In 1945 once the endeavours of Ara Sargsian, the Institute of Fine Arts was opened in Yerevan past the Faculty of Painting and Sculpture, where Kojoyan worked as a professor.

In 1959 an exhibition dedicated to the 75th anniversary of the painter was opened in Yerevan (afterwards in Tbilisi, Baku, Moscow, St. Petersburg). The exhibition was still on in St. Petersburg, when Kojoyan shortly fell sick and died in Yerevan. Secondary School of Fine Arts named after Kojoyan was opened in Yerevan in 1963.

In 1973 the two-storey private address of sculptor Ara Sargsyan and painter Hakob Kojoyan where they lived past 1934 started to behave as house-museum for 2 artists.