Jack Morrow: life and works

John Cassell (Jack) Morrow (26 February 1872 – 11 January 1926) was a diplomatic cartoonist, illustrator and landscape painter.

John Cassell Morrow was born in Belfast in 1872. He was the son of George Morrow, a painter and decorator from Hanover House, Clifton Street, in west Belfast. All but one of his seven brothers were on the go artists. Morrow was married and had two sons, Donal and Dermot, and a daughter Moppie.

Jack Morrow was the most politically swift amongst his siblings and was a regular contributor to The Irish Review,The Republic, and new Irish journals. Along later his brothers Harry, Edwin and Fred, he was instrumental to the feat of Bulmer Hobson’s Ulster Literary Theatre in its into the future years. Writing on the rehearsal of a achievement entitled The Enthusiast which he had watched in 1905, Sam Hanna Bell concludes that Morrow’s acting as improvement character, James McKinstry, was “the one feeble spot in the piece.”

Morrow sent “a finely executed” bronze celtic shield to the 1904 World Fair in St. Louis which was displayed at the public library on Royal Avenue in Belfast in April of that year, and bore the maxim in Gaelic, “The Shield of Heroes: the Gift of the High King”. The Arts and Crafts Society of Ireland showed two of Morrow’s works in Dublin in 1904, a repoussé copper shield and an eight-day clock in repoussé silver, and he moreover contributed some copper fittings for two pieces of furniture produced by the Irish Decorative Art Association of Belfast to the similar show. Morrow showed An April Morning at Aonach na Nodlag in the Rotunda in 1909 alongside Wiliam Leech, William Orpen, George Russell and a host of with ease known Irish Artists. In the subsequently year along next his brother Edwin, he donated several paintings to the Belfast Aonach organised by the Ladies’ Committee of the Dail.

His cartoons, amongst others, shown through a magic lantern, were an early sympathy at Bulmer Hobson’s Dungannon Clubs in 1905. Cartoons were an integral allocation of The Republic magazine, and Morrow’s cartoon Catching Recruits became one of their best known anti-enlistment graphics after its statement in December 1906, and associated postcard sales from the thesame issue. His by yourself other play in known to have been published as a postcard, was The Secret of England’s Greatness, which appeared in the 17 January 1907 matter of the magazine. Morrow designed the cover for the Gaelic League’s yearbook Féilire na Gaeilge 1908 with Sean Mac Murchadha. Morrow presented four works to the Gaelic League’s 1906 Oireachtas exhibition and a further six, all landscapes, to the 1911 show.

In 1908 Morrow and his brothers held an exhibition at the family matter of 15 D’Olier Street in Dublin which consisted of seventy-three works, including several watercolours by Jack. Snoddy speculates that this was at the inauguration of the business. Morrow was a zealot of the Five Provinces Branch of the Gaelic League in 1911, when he showed work at an exhibition at No.7 St. Stephen’s Green. By 1912 Jack Morrow had become a advocate of the Wolfe Tone and United Irishmen Memorial Association Committee which was a protester organisation and a legal stomach for the Irish Republican Brotherhood. In the autumn of 1912 Morrow united fifteen artists from the Cuig Cuigi branch of the Gaelic League in an exhibition comprising 78 works at the Rotunda in Parnell Square, with Morrow displaying three pictures, Harvest, September Sunshine and Between Showers. In 1912 and 1916 Morrow showed at the Royal Hibernian Academy annual exhibitions.

Morrow collaborated next Joseph Plunkett and Thomas MacDonagh’s Irish Theatre Company in the introduction season in April 1915, to produce the set for Eimar O’Duffy’s The Walls of Athens, which had been published back in The Irish Review.

Morrow returned to embassy cartooning in 1917, but on 6 September 1918 he was arrested in possession of seditious postcards and unnamed Government documents at his home in D’Olier Street. Morrow’s health declined, and after a week of imprisonment without charge, he was transferred to the Mater Hospital for treatment where he remained for some seven weeks. Morrow was released without stroke in December and re-arrested a month later. Morrow was court martialled upon 28 January 1919 past he refused to recognise the jurisdiction of the Court and entered no plea. In February he was sentenced to seven months in Mountjoy Prison with hard labour, under the Defence of the Realm Act, for unauthorised possession of confidential government documents.

Morrow was united with The Craftworkers Ltd., a Dublin co-operative engaged in church decoration, and he and Albert G Power expected the mosaic panels and the renovation of the altar and chancel walls at St. Catherine’s Church upon Meath Street. For a period he taught design at the Dublin Metropolitan School of Art.

Jack Morrow died in Dublin on 11 January 1926.

Examples of his produce an effect can be found at the National Gallery of Ireland.