Jacques Schyrgens (born in Elsene, Belgium on January 8, 1923) is a Belgian-Canadian painter (watercolors) and illustrator.
His Father was Antoine Schyrgens (1890–1981), architect, draftsman, painter, teacher and a founder of the Beaux Arts Academy in Ostend. He studied at the Ecole des Beaux-Arts Ostend, and studied anatomy at Serge Mako’s studio in Paris and in attended an Art College in Rome, Italy for three years. He traveled in Spain, the United States and Mexico before emigrating to Quebec in 1952.
By the fall of the Second World War his relations was energetic in the south of France where Schyrgens staged his first exhibit at age 16. The relatives was unquestionably much energetic in the local arts community. Schyrgens recalls Henri Matisse as a neighbor. As a puberty Schyrgens was attracted to ‘Commercial Art’ and thought Tiny of the customary traditional artists. By the late 1940s Schyrgens was vibrant in Spain where he believes he created his best works, inspired by Gypsy culture, music and dance. The pubertal journeyman artist also traveled throughout Mexico.
By 1952, he was active and lively in Quebec City, Quebec, where he became a Canadian citizen. He painted numerous street scenes as embellishment for the stately Chateau Frontenac as he was operate the similar as his livelihood. Over a nine-year era in Quebec City he produced hundreds of works, some of which were eventually sold through U.S. outlets. His fake attracted sober attention. He moved to Toronto, Ontario, where Toronto street scenes became his subject concern and again he was providing art for hotels, in this proceedings the Royal York Hotel.
In 1972, Schyrgens moved subsequently more, becoming Kenora, Ontario’s first Artist in Residence from 1972 to 1973. Sponsored taking into account a ascend from the Arts Council of Ontario for studio space, he helped found The Kenora Artists Association which numbered just about 60 members and hosted studios for local artists and students. His put on had a puzzling effect on the local artists and he provided steady withhold to the neophytes who still regard him with obscure respect. He uses some of this era in Kenora establishing a silk screen studio and experimented in the same way as wood and linoleum block printing which he utilized as the illustrator for a book (H.D. Thoreau, Walden or Life in the Woods) published by Poole Hall Press in 1977.
1981 found him in Winnipeg, where he expected a studio and continued to build colorful and vigorous street scenes.
Between August and September 2007, the Lake of the Woods Museum, Kenora, Ontario hosted “Kenora Paintings by Jacques Schyrgens”, a 40 watercolor retrospective of his works produced there.
His product has produced reasonable prices at auction, and is in many private collections. Schyrgens was a supporter of the Artists Rights Society, and was a long-standing zealot of the not-for-profit dealing out Art Museum Image Consortium an university resource nearby to universities, colleges, public libraries, elementary and additional schools, and museums.
Schyrgens has been shown in Brussels, Amsterdam, The Hage, Paris, London, Rome, Quebec City, Montreal, Winnipeg, and Kenora (Ont.). His works are upon exhibition inis the hoard of Laval University, Quebec, and in the Kunstmuseum aan Zee, Oostende, Belgium.
He influenced new artists, such as Michael Dobson.
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