Johannes Hubertus Leonardus de Haas (25 March 1832 – 4 August 1908) was a Dutch animal and landscape painter, and a peripheral figure of the Hague School.
Born at Hedel, De Haas spend his puberty in Amsterdam where he got his first art education at evening-classes at the Koninklijke Academie. Consequently, he moved to Haarlem where he was apprenticed to the performer Pieter Frederik van Os. During his stay in Haarlem he befriended Paul Gabriël and Hendrik Dirk Kruseman Van Elten who were along with studying next Van Os.
In 1853, together taking into consideration his two friends, De Haas decided to build up Oosterbeek. Here they came into open with the influential landscape painter Johannes Warnardus Bilders and the bureau of painters which had gathered on him, many of whom would future be share of the Hague School. De Haas afterward met his sophisticated wife in Oosterbeek, Bilders’ daughter, Caroline. In 1855 he received great reviews for his pictures that were exhibited in Paris from the noted art critic Jean Baptiste Gustave Planche.
In 1857 De Haas first went to Brussels, where he became connections with Willem Roelofs. De Haas frequently returned to the Netherlands and Oosterbeek for inspiration and Caroline. From 1860 his buddy Gabriël also lived in Brussels, and De Haas often painted cattle in the landscapes of both Roelofs and Gabriel, fitting in perfectly taking into consideration both their styles. In 1860 he won the gold medal at the exhibition of Utrecht.
From 1861 until 1869 De Haas is permanently fixed in Brussels, painting mainly upon the coasts of Flanders and Picardie in northern France. He married Caroline Bilders in 1862, and in 1864 they are briefly allied by her brother, the promising painter Gerard Bilders. In 1865 Caroline dies at the age of 24 of tuberculosis, leaving him in imitation of a young son. During his stay in Brussels De Haas is instrumental in passing upon the style of the Barbizon intellectual to the painters at Oosterbeek.
In 1869 he normal gold medals for his sham at the exhibitions in Munich. At this grow old he befriends the well ahead prince regent of Bavaria, Luitpold. This good relations provides him subsequently many opportunities to contribute to exhibitions in Bavaria and cutting edge the German Empire. From 1888 he was responsible for the selection of the Dutch entries to the Munich exhibition. This incline he antagonised many youth Dutch painters for his conservative choices. In 1892 he was chosen by Queen Emma to make a selection from the paintings from the royal addition for an exhibition at the Alte Pinakothek in Munich. De Haas died upon August 4, 1908 in Königswinter.
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