Lisa Milroy (born 16 January 1959 in Vancouver, British Columbia) is an Anglo-Canadian performer known for her nevertheless life paintings of everyday objects. In the 1980s Milroy’s paintings featured dull objects depicted against an off-white background. Subsequently her imagery expanded, which led to a number of substitute series including landscapes, buildings and portraits. As her approaches to still life diversified, so did her space of painting, giving rise to a range of stylistic innovations. Throughout her practice, Milroy has been fascinated by the description between stillness and movement, and the natural world of making and looking at painting.
In 1977, aged 18, Milroy travelled to Paris and studied at the Paris-Sorbonne University. In 1978 she moved to London for a inauguration course at Saint Martin’s School of Art and gained her BFA at Goldsmiths College, University of London in 1982. Her first solo exhibition in 1984 was based upon still life. In 1989 she won the John Moores Painting Prize. Milroy has taught at the Slade School of Fine Art, London before 2009. She gained election to link of the Royal Academy of Arts in 2005. Milroy was appointed Artist Trustee of Tate from 2013-2017 and Liaison Trustee to the National Gallery from 2015 – 2017.
In 2015 Milroy set stirring Hands On Art Workshops, contributing to Vodafone Foundation and UNHCR’s Instant Network Schools digital learning programme. Hands On Art Workshops engages primary and secondary hypothetical students in Kakuma Refugee Camp, Kenya in practical art workshops, which Milroy delivers from London through stimulate interactive video conference sessions. Milroy travels to Kakuma Refugee Camp annually to deliver Hands On Art Workshops, working once UNHCR Kakuma.
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