Marie Zieu Chino (1907–1982) was a Native American potter from Acoma Pueblo, New Mexico. Marie and her contacts Lucy M. Lewis and Jessie Garcia are endorsed as the three most important Acoma potters during the 1950s. Along with Juana Leno, they have been called “The Four Matriarchs” who “revived the ancient style of Acoma pottery.” The inspiration for many designs used upon their pottery were found on old potsherds gathered to use for temper. Together they led the revival of ancient pottery forms including the Mimbres, Tularosa and extra various cultures in the Anasazi region. This revival development to supplementary potters who also in style the obsolescent styles, which led to new liberal designs and variations of style and form.
In 1922, Marie won her first great compliment at the Santa Fe Indian Market at the age of fifteen. She went upon to receive numerous awards for her pottery from 1970-1982. In 1998 the Southwestern Association for Indian Arts endorsed Marie in the same way as a “Lifetime Achievement Award.”
Marie became particularly without difficulty known for her fine-line black-on-white pottery and vases like the step design. Her pots were distinctive in their mysterious geometric designs as without difficulty as the amalgamation of cartoon forms and abstract symbols. Some of her favorite designs include: Mimbres animals, Tularosa swirls, Acoma parrots, rainbows, bushes bearing in mind berries, leaves, rain, clouds, lightning and fine-line snowflakes.
Marie was the matriarch of the Chino intimates of potters. She helped her children and grandchildren learn the Good art of pottery making and had many students. Marie had five daughters who were potters, “of whom Grace, Carrie and Rose achieved reputations as excellent potters.” Pottery by her daughter Vera Chino is held by the Holmes Museum of Anthropology.
When Marie traveled to the Indian art shows or the Indian Market in Santa Fe, she often took her family once her. There they met people from something like the world who loved to mass their pottery. This instilled a prudence of arrogance and agreement throughout the Chino family. Marie’s descendants have carried upon the tradition of making fine Acoma pottery.
Marie’s proceed is held by the Holmes Museum of Anthropology, the Spurlock Museum, and by the National Museum of the American Indian and the National Museum of Women in the Arts in Washington, D.C.,
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