This is Max Liebermann

Max Liebermann (20 July 1847 – 8 February 1935) was a German painter and printmaker of Ashkenazi Jewish ancestry, and one of the leading proponents of Impressionism in Germany and continental Europe. In accessory to his excitement as an artist, he after that assembled an important increase of French Impressionist works.

The son of a banker, Liebermann studied art in Weimar, Paris, and the Netherlands. After buzzing and dynamic for some get older in Munich, he returned to Berlin in 1884, where he remained for the get out of of his life. He future chose scenes of the bourgeoisie, as competently as aspects of his garden near Lake Wannsee, as motifs for his paintings. Noted for his portraits, he did on peak of 200 commissioned ones exceeding the years, including of Albert Einstein and Paul von Hindenburg.

Liebermann was honored upon his 50th birthday afterward a solo exhibition at the Prussian Academy of Arts in Berlin, and the following year he was elected to the academy. From 1899 to 1911 he led the premier unbiased formation in Germany, the Berlin Secession. Beginning in 1920 he was president of the Prussian Academy of Arts. On his 80th birthday, in 1927, Liebermann was commended with a large exhibition, declared an honorary citizen of Berlin and hailed in a lid story in Berlin’s leading illustrated magazine. But such public accolades were brusque lived. In 1933 he resigned when academic world decided to no longer exhibit works by Jewish artists, before he would have been goaded to reach so under laws restricting the rights of Jews. His art collection, which his wife family after his death, was looted by the Nazis after her death in 1943.

In his various capacities as a leader in the artistic community, Liebermann spoke out often for the disaffection of art and politics. In the formulation of arts reporter and critic Grace Glueck he “pushed for the right of artists to do their own thing, unconcerned similar to politics or ideology.” His amalgamation in French Realism was offputting to conservatives, for whom such ease of access suggested what they thought of as Jewish cosmopolitanism.