This is Melissa Miller

Melissa Miller (born 1951) is an American painter who is best known for what Art in America called “raucous allegorical paintings” of animals that savings account storytelling, psychological perception and behavioral observation with highbrow virtuosity and formal rigor. She rose to emphasis during a rebirth in symbolic painting and narrative content in the in advance 1980s championed by curators such as Marcia Tucker and Barbara Rose, who both selected Miller for prominent surveys (respectively, “Paradise Lost/Paradise Regained” at the 1984 Venice Biennial and “Fresh Paint” at PS1, 1985). Rose identified Miller along with a help of iconoclastic “rule breakers,” describing her play a part as “a wild kingdom … gone slightly berserk” in the torment yourself for survival, whose height recalled Delacroix. In a later Artforum review, Donald Kuspit called Miller’s paintings “apocalyptic allegories” executed in the same way as meticulous old-master methods that articulated psychic states, existential problems and ecological concerns. Miller has exhibited at museums throughout the United States, including the Whitney Museum, New Museum, San Francisco Museum of Modern Art (SFMOMA), Museum of Fine Arts, Houston, and Hirshhorn Museum. Her feat belongs to the public art collections of the Museum of Modern Art, National Museum of Women in the Arts, Albright-Knox Gallery and Museum of Fine Arts, Houston, among others, and she has acknowledged the Anonymous Was A Woman Award and Texas Artist of the Year Award. Miller lives and works in Austin, Texas.

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