This is Merton Clivette

Merton Clive Cook (born 1868), also known as Merton Clivette, was an American painter, magician, writer, vaudevillian and entertainer who spent most of his to the front life traveling the world entertaining past settling in New York to paint permanently. As a extremely highly regarded American artist of the in front 20th century by his peers (including Maurice Sterne, Waldo Pierce, Edward Bruce, Marcel Sauvage and Michel Georges-Michel of Paris, among others), his style can be identified in imitation of the American expressionist movement. Clivette is plus known to be one of several artists who most defined the Ashcan veracity period in New York at that time. Clivette was demonstrated artistic knack painting in a clear flowing vent rarely painting higher than a lineage twice. During the 1920s his style evolved as he moved from veracity toward expressionism eventually moving upon to symbolic and the abstract.

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Clivette was born in 1868 in Portage, Wisconsin but grew in the works in the Wyoming Territory. In this puberty he left to participate in a Wild West enactment which toured the Northwest US and during his epoch in it he was practiced to display his skills as an acrobat, juggler and amateur magician. He honed these skills into what would forward-thinking be a Vaudeville touring show. Clivette moved to Seattle later San Francisco in the late 1880s. He drew Fast sketches in San Francisco then toured the United States afterward the Orpheum Circuit from 1891-1900 . Clivette headed across the pond to Europe and even if there soaked in the acknowledged European art styles. Clivette was a student of Auguste Rodin from 1889-1890 and even painted a portrait of Auguste Rodin said to be the greatest of anything portraits of the sculptor. He came incite from the trips much wiser and secured a place in the New York City art community.

Clivette modeled himself in the appearance of Ashcan School artists (including Robert Henri) utilizing realist subjects. Clivette used the Chiaroscuro style in both roomy and dark juxtapositions and loose but forceful brushwork. These were similar to Robert Henri and supplementary realist painters. Clivette was competently known for his Vamp series which portray Show Business ladies in the garish Burlesque attire. This technique associates him and the Ashcan school. Contrasting these Vamp paintings Clivette painted numerous American Indian portraits. Clivette inevitably moved away from this realistic look to a more misused fashion in the vein of Chaïm Soutine. Over get older he drifted away from veracity toward expressionism. His later achievement turned toward figurativism, and eventually becoming abstract.

Clivette created his expressionist works painting subsequently confidence taking into consideration many strokes in succession; he utilized his skills he studious as an acrobat to have emotional impact the brushes considering precision. In his grander works, the marks looked considering they were created using his mass body. This style was one of his greatest strengths. Over time additional New York artists such as Franz Kline, picked up upon this further type of act out painting to make their mark. During the 1920s New York art locale, Clivette was acclaimed and his art was well received. George S. Hellman writes that Clivette was the greatest American Painter ever after seeing Clivette’s “Outriding the Blizzard” painting. Hellman was appropriately convinced of Clivette’s genius that he purchased a number of paintings from him and encouraged further accomplished New York painters — Maurice Sterne, Paul Manship, Edward Bruce — to purchase paintings from Clivette as well. Sterne himself was surprised at this unknown artist who he thought painted self-portraits similarly to Paul Cézanne but subsequent to less control

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Clivette’s conduct yourself was frequently exhibited during the 1920s from Los Angeles to Paris, and New York in-between

To this narrowing is a reference from Henry Rankin Poore’s book “Modern Art, Why, What and How” which talks just about Clivette’s impact including this Paris show. He begins, “Although France may allegation the bill of introducing open-minded art to the world it is not generally known that past Paul Cézanne had sponsored cubism and Henri Matisse freedom, an American citizen was functioning out kindred theories. Merton Clivette, although of vague French extraction, has been Americanized through generations in the past 1630.”

Additionally it notes, “Only recently an invitation came for a large exhibition of his works in Paris, and had those pictures been seen there in imitation of first produced, Henri Matisse would have had to believe that his idea had already been preempted. The French Government, through its Director of Fine Arts, selected an example from this exhibition which is destined for Luxembourg. The vital press of Paris extolled the newcomer from across the sea. It is quite proper later that the makers of Modern Art should have emotional impact up and appointment Clivette a place in contradiction of them.”

Clivette joins six new painters as the lonely American utter a special article in the book, “Selections from the Collection of George S. Hellman”, along when Picasso, Cezanne, Matisse, Derain, Gauguin, and Van Gogh. Selected paintings put in Rushing Waters, Flowers in a Pot, Still Life, Walt Whitman, Indian in a Canoe, Toucan, Seascape, Small Seascape, and Sunset along with others.

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