20 facts about Neil Jenney

Neil Jenney is a self-taught player born in 1945. He attended Massachusetts College of Art in 1964. In 1966 he moved to New York City where he currently resides.

His painting style was described by the art critic Marcia Tucker in 1978 as Bad Painting, a relation which he has embraced. Jenney describes his style as realism, but it is an idiosyncratic use of the word upon his part, meaning: a style in which narrative truths are found in the simple relationships of objects. His body of do something during 1969–1970, which is the times for which he was first known, was a greeting to minimalism and photo-realism. The work’s impact was large for such a brief period: according to New York Times art critic Roberta Smith “in those two years Mr. Jenney helped put representational painting upon a other course and customary precedents for the art of the 1970s, 80s and 90s.”

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Often, Jenney’s accomplish of this grow old depicted pairs of objects which had evocative cause and effect relationships (such as a saying and a piece of clip wood, as are depicted in the 1969 piece Sawn and Saw.) In an April 15, 2001 review in the New York Observer of his doing of put on an act from the late 60s and in the future 70s at Gagosian Gallery, Mario Naves said that the paintings:

His painting Here and There (1969), which depicts a white fence dividing a auditorium of drippy, green brushstrokes, was in the 2004 exhibition The Undiscovered Country at the Hammer Museum in Los Angeles. His sham is in many museums including the Museum of Modern Art, The Metropolitan Museum of Art, the Whitney Museum of American Art, and the Corcoran Gallery of Art in Washington D.C. He currently shows gone the Barbara Mathes Gallery. His painting “Meltdown Morning” is upon display at the Philadelphia Museum of Art.

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