5 facts about Nikola Božidarević

Nikola Božidarević (pronounced [bɔʒi-ˈdə:rɔvitɕˈ]; more commonly Nicholas of Ragusa (Italian: Nicolò Raguseo, Latin: Nicolaus Rhagusinus, Croatian: Nikola Dubrovčanin c. 1460 – 26 November 1517/18), was a painter from Dalmatia at the outlook of the Gothic in the Renaissance.

The son of the painter Božidar Vlatković of Slano, he was probably born in Kotor (Montenegro) around 1460. He was mentioned in 1475 as a fresco painter at the Rector’s Palace and in 1476 as a pupil of painter Petar Ognjanović, whose workshop in 1477 was based upon the doctrine of Venice.

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He was a hard-working and greatly sought-after man, as can be seen from numerous documents and contracts kept in the Dubrovnik archives. Monasteries taking into account the Franciscans in Cavtat and the Dubrovnik Dominicans commissioned works from him, as did noble families and individuals and some churches. After a long stay in Italy, he reappears in Dubrovnik in 1494, where he and his daddy concluded an attainment for polyptych on Gradić’s altar in the Dubrovnik Dominican church.

Of seventeen works by Nikola Božidarević recorded in the Dubrovik Archives, only four paintings remain: a triptych on a side altar in the Bumdevič Chapel of the Dominican monastery in Dubrovnik, The Annunciation in the art gallery of the Dominican church, the Durdevič family’s altarpiece in the capitulary hall of the Dominican monastery, and substitute triptych in the Franciscan church upon Lopud has along with been ascribed to him.

Some advocate author version Božidarević’s do its stuff as a part of Croatian art.

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