Paolo Caliari (1528 – 19 April 1588), known as Paolo Veronese ( VERR-ə-NAY-zay, -zee, also -see, Italian: [ˈpaːolo veroˈneːse, -eːze]), was an Italian Renaissance painter based in Venice, known for enormously large records paintings of religion and mythology, such as The Wedding at Cana (1563) and The Feast in the House of Levi (1573). Included considering Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the “great trio that dominated Venetian painting of the cinquecento” and the Late Renaissance in the 16th century. Known as a fixed idea colorist, and after an beforehand period taking into consideration Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian.
His most well-known works are elaborate narrative cycles, executed in a dramatic and shimmering style, full of majestic architectural settings and glittering pageantry. His large paintings of biblical feasts, crowded in the manner of figures, painted for the refectories of monasteries in Venice and Verona are especially famous, and he was along with the leading Venetian painter of ceilings. Most of these works remain in situ, or at least in Venice, and his representation in most museums is mainly composed of smaller works such as portraits that reach not always piece of legislation him at his best or most typical.
He has always been appreciated for “the chromatic brilliance of his palette, the splendor and sensibility of his brushwork, the aristocratic elegance of his figures, and the magnificence of his spectacle”, but his fake has been felt “not to permit expression of the profound, the human, or the sublime”, and of the “great trio” he has often been the least appreciated by unprejudiced criticism. Nonetheless, “many of the greatest artists … may be counted along with his admirers, including Rubens, Watteau, Tiepolo, Delacroix, and Renoir”.
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