Peter Weidenbaum (born 25 July 1968, Antwerp, Belgium) is a Belgian artist. From a agreed early age onwards, he became acquainted considering painting. He maintains that the confrontation afterward Jean Fouquet’s painting “Madonna between seraphim’s and cherubim’s” at the Museum of Fine Arts (Antwerp) altered his view on reality. A different kind of realism became genuine at that instant.
Weidenbaum’s play a role cannot clarify as Tiny style elements or constants. It is rather an exploration into our culture of images and the materialization of thoughts within the context of art. We see with our brain. This is the starting dwindling of his exploration of images; whether it shows itself in sculpture, in an installation or painted on canvas. Weidenbaum’s piece of legislation is a salutation to the autocracy of reality and a quest for the metaphysical.
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