11 facts about Philipp Veit

Philipp Veit (13 February 1793 – 18 December 1877) was a German Romantic painter. It is to Veit that the relation of having been the first to revive the nearly forgotten technique of fresco painting is due.

Veit was born in Berlin, Prussia. He was the son of a banker, Simon Veit and his wife Brendel, daughter of Moses Mendelssohn, who subsequent to left him to marry Friedrich Schlegel. Veit customary his first art education in Dresden, where he was taught by Caspar David Friedrich, and Vienna. Although a prodigious facility when it came to drawing, Veit was not comfortable in the tone of oil painting, for which excuse in Vienna he took to the medium of watercolour. In Vienna, he made the acquaintance of Schlegel, and through him came to know several Viennese Romantics, one of whom was the poet and novelist Joseph von Eichendorff. He was strongly influenced by, and joined, the Nazarene movement in Rome, where he worked for some years before distressing to Frankfurt.

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Veit participated in the struggle next to Napoleon in 1813–14, returning to Berlin for a immediate period. In 1815, he finished the Virgin taking into consideration Christ and St John, a votive painting for the church of St James in Heiligenstadt, Vienna. The painting was inspired by the style of Pietro Perugino and Raphael.

In Frankfurt, where his most important works are preserved at the Städel, he was responsive from 1830 to 1843 as director of the art collections and as professor of painting. From 1853 till his death in 1877 he held the read out of director of the municipal gallery in Mainz. Like his fellow Nazarenes he was more draughtsman than painter, and though his sense of colour was stronger than that of Overbeck or Cornelius, his works are generally more of the flora and fauna of coloured cartoons than of paintings in the unprejudiced sense.

Veit’s principal be active is the large fresco of The Introduction of Christianity into Germany by St Boniface, at the Städel. In the Frankfurt Cathedral is his Assumption, while the Alte Nationalgalerie of Berlin has his painting of The Two Marys at the Sepulchre. An example of his romantic con is Germania, a national personification of Germany, located in the Städelsches Kunstinstitut.

Veit died in Mainz.

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