13 facts about Robert Crannell Minor

Robert Crannell Minor (1839–1904), American artist, was born in New York City on April 30, 1839. His father, Israel Minor, was a merchant who made a large fortune in the pharmaceutical business. As a pubertal man, Robert Minor worked as a bookkeeper in New York City but approved to scrutiny art in his further on thirties. After studying in New York subsequent to painter Alfred Cornelius Howland, Minor went abroad in 1871 to continue his artistic education. He visited various galleries in England in the past traveling to Barbizon, France, where he studied below Diaz. He highly developed studied in Antwerp under Joseph Van Luppen and Hippolyte Boulenger. In 1874, he was vice president of the Société artistique et littéraire of Antwerp.

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On his reward to the United States in 1874, he opened a studio in New York. He painted for many years out of his studio in the Old University Building of New York University. Painting in the Adirondack Mountains and well ahead in Waterford, Connecticut, Minor soon became known for his landscapes resembling the Barbizon School. Under the concern of George Inness and Alexander Helwig Wyant, he next began to paint in a Tonalist style. His painting Great Silas at Night (1897) displays his adoption of the Tonalist style even though his lingering Barbizon style can be seen in A Hillside Pasture. From the 1890s until his death, Minor exhibited frequently later the Tonalists in New York. In 1897, he was elected a advocate of the National Academy of Design, New York. In 1900, Minor achieved the summit of his talent at the historic William T. Evans sale in 1900, where his painting The Close of Day (private collection) fetched $3,050, the highest price for a landscape by a buzzing American painter at that auction.

Over the course of his lifetime, Minor was a aficionada of the Society of American Artists and the Salmagundi Club. He exhibited in New York, Brooklyn, Chicago, and elsewhere in the United States, as competently as in the Royal Academy of London and the salons of Paris and Antwerp. Minor was plagued as soon as bad health during the last decade of his life. Despite far along speculation, it did not materially impact the sum of his output, and the guidance that it impacted the quality of his be active is a misreading of the increasing ejection in Definite of his forward-thinking Tonalist paintings. He died at his house in Waterford, Connecticut, on August 4, 1904. His paintings are owned by the Smithsonian American Art Museum, the Yale University Art Gallery, the Mead Art Museum, the Lyman Allyn Museum, the Florence Griswold Museum, the Brooklyn Museum, the Newark Museum, the Robert Hull Fleming Museum, the Haggin Museum, the Salmagundi Club, the Memorial Art Gallery, and the University of Arizona Museum of Art.

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His paintings are characteristic of the Barbizon moot and Tonalism, and he was particularly glad in his sunset and twilight effects; but it was forlorn within a few years of his death that he began to have a vogue among collectors. Among his works are:

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