Simone di Filippo Benvenuti, known as Simone dei Crocifissi or Simone da Bologna (about 1330 – 1399), was an Italian painter. Born and dead in Bologna, he painted many religious panel paintings, and as a consequence frescoes in the churches of Santo Stefano and San Michele in Bosco, both at Bologna.
Simone dei Crocifissi was born in Bologna. He was son of the shoemaker Filippo di Benvenuto. In the 17th century he was renamed “of the Crucifixes” (dei Crocifissi) for his “ability to paint great images of the Redeemer, for our sake nailed to the cross” (Malvasia). He trained in imitation of Franco Bolognese.
He was sprightly as a painter at Bologna from 1354 to 1399 in the wake of Vitale da Bologna’s previous experience, which he engaged in a robustly more popular style of painting.
The initial artistic phase of Simone Di Fillipo can be seen via the frescoes of the animatronics of Christ that come from the church of Santa Maria di Mezzaratta (mid-1350s century), now preserved in the National Art Gallery of Bologna (Pinacoteca di Bologna), where the engagement for Giotto’s melody and plastic solutions is interpreted once a harsh expressivity.
The influence upon Simone of Vitale’s painting style can be caught in works such as the polyptych 474, also preserved at the Pinacoteca. On the other hand, works as soon as the Pietà by (1368), and the Crucifix of St. James (1370), on display in the same museum, highlight the have emotional impact of Jacopo Avanzi and his solemn style, even if re-interpreted stressing the devotional goal, as in the Madonna by Giovanni da Piacenza (1382). These are the characteristics that enabled Simone dei Crocifisso to reach a leading direction in Bologna soon afterwards, gaining pre-eminence as the author of wooden altarpieces for local churches and for individual customers such as Nativity.
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