21 facts about Vilhelm Pacht

Lauritz Vilhelm Pacht (23 November 1843 – 20 May 1912) was a Danish genre painter, industrialist and philanthropist.

Pacht was born in Copenhagen, Denmark. He was the son of Lauritz Adolph Pacht (1819–68) and Eleonora Wilhelmine Hansen (1827–57). His father was a hat maker. After his confirmation, he began to learn printing, but was forward-looking apprenticed to a marble chipper. While taking classes at the Copenhagen Technical College, his drawings attracted the attention of G.F. Hetsch (1788–1864, who advised him to accept up porcelain painting. After completing his courses, he was pure a perspective at the Royal Porcelain Factory, which he held from 1862 to 1867.

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Beginning in 1861, he as a consequence attended classes at the Royal Danish Academy of Fine Arts; passing his final test in 1866. He began to have showings at the Charlottenborg Spring Exhibition and in 1869 was awarded the Neuhausenske Prize (De Neuhausenske Præmier)

For several years, he worked to perfect a method to count the reproduction of drawings by printing press. In 1872, he normal a patent for his processes and set occurring a workshop for what he called the “Heliotype” (a process same to hectography). Later, he with produced phototypes.

In 1880, he united with the photographer, Hilmar Crone (1854–1923), to create “Pacht & Crones Illustrationsetablissement”. Pacht left the company in 1885 and was replaced by the drawing teacher, Giovannino von Huth (1845–1917). That similar year, Pacht started the “Skandinavisk Panoptikon”, a inclusion wax museum and cabinet of curiosities.

In 1887, he opened a factory that produced intaglio ink and paint tubes. In 1890, the company went public as an aktieselskab called the “Danske Bogtrykkeres Farvefabrik”, but he continued as General Manager.

In 1896, he presented the first distressing pictures in Denmark in a wooden structure called the “Panorama” at the square in front of Copenhagen City Hall. His building and equipment were floating to a suspicious fire, but he soon re-established his shows (renamed the “Kineoptikon”) at his Panoptikon.

His events made him a rich man, but with ensured that his output as a painter was rather small.

Just in the past his death, he and his second wife, Oline Kristine Marie Olsen (1868-1928), created the Vilhelm Pacht Foundation (Vilhelm Pachts Kunstnerboligs Legat) which awarded scholarships to artists and which turned his mansion, “Pachts Bo”, into housing for indigent artists. He died in 1912 at Holte.

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