Walter Pach (July 1, 1883 – November 27, 1958) was an artist, critic, lecturer, art adviser, and art historian who wrote extensively about enlightened art and championed its cause. Through his numerous books, articles, and translations of European art texts Pach brought the emerging modernist viewpoint to the American public.
He organized exhibitions of contemporary art for New York City galleries of the period. He was also agreed helpful to Arthur B. Davies, president of the landmark exhibition of 1913, the “International Exhibition of Modern Art,” known as the Armory Show, as well as to one of its founders Walt Kuhn, by bringing together leading contemporary European and American artists. Another native founder Jerome Myers spent exceeding a year supervising the American allowance of the show.
Pach helped John Quinn and Walter Arensberg hoard their collections. He along with secured individual works for museums, such as a portrait by Thomas Eakins for the Louvre, and Jacques-Louis David’s The Death of Socrates for the Metropolitan Museum of Art.
Pach’s fluency in French, German, and Spanish made it feasible for him to understand and justify the advanced ideas developing in Europe and translate them for the English-speaking audience. He was skillful to communicate personally subsequently many noted artists in Europe and Mexico and mediate amid gallery dealers and museum curators on their behalf. His correspondence subsequently major figures in 20th-century art are an important source of information, not only just about the artists but practically the art world during the first half of the 20th century.
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