Frances Cranmer Greenman: life and works

Frances Cranmer Greenman (June 28, 1890 – May 24, 1981) was an American portrait painter, critic and columnist.

Frances Willard Cranmer was born on June 28, 1890 in a log cabin in Aberdeen, South Dakota. Her parents were Hon. Simeon Harris Cranmer, and the suffragist, Emma Amelia Cranmer. She was named for suffragist Frances Willard. At 15, she attended the Wisconsin Academy of Art. At 16, she attended the Corcoran School of Art in Washington, DC. In the 1900s, she studied afterward William Merritt Chase and Robert Henri in New York City. She won a gold medal from Corcoran in 1908. She moved to Minneapolis in the 1910s. She had her first major exhibition in 1913 at the Handicraft Guild. She went assist to New York for several years back settling at the Hampshire Arms Hotel. Her permanent studio was on the fifth floor of the building and was painted enormously black for her portraiture.

She was awarded a gold medal at the 1915 Minnesota State Fair for a help of three portraits.

Greenman was an expected society painter in Minneapolis by the in advance 1920s and made portraits for Hollywood stars, politicians and socialites.

Her 1921 exhibition at the Bradstreet Gallery in Minneapolis was described in American Art News as “alternately cheerful and serious, prismatic and tonal.” Greenman was awarded first prize in painting at the seventh and eighth annual exhibitions of Twin City Artists. Her portrait Jane won the prize for the eighth exhibition in 1922.

Greenman was replaced as a decide during the 1925 Iowa State Fair’s Art Salon due to her modernist inclinations. Painter and exhibit head Charles Atherton Cumming postponed the art judging, first claiming that Greenman was ill. Greenman herself disputed this and Cumming went upon to describe how she had been “converted to what she calls ‘modern’ art since I last viewed her exhibit.” He explained that Iowa artists were “followers of ‘white man’s art'” and Greenman was replaced by one J. Laurie Wallace.

Following the Wall Street Crash of 1929, Greenman left New York and supported her relatives by painting portraits for rich clients.

Greenman taught at the Minneapolis School of Art from 1941 to 1943. She furthermore taught at the Art Institute of Chicago.

Her style was bold and informed by modernism. Her painting Pink Lotus depicted one David Painter and in a severe, flattened, and unflattering manner. While her earlier portraits were more adventurous, they became more conservative and conventional more than time. Her 1922 work A Moment’s Rest for Mrs. Hoscovics and her portraits of Polish immigrants in Wisconsin be in that Greenman wanted to use her art to consider social issues.

Greenman painted portraits of many well-known people, including conductor Emil Oberhoffer, Dolores del Río, and Mary Pickford. She painted the attributed governor’s portrait of Karl Rolvaag. It is hung in the Minnesota State Capitol.

She wrote her autobiography, Higher Than the Sky in 1954. She also worked for the Minneapolis Sunday Tribune as a critic, writing the art column “Frances Greenman Says”.

Greenman died in Medina, Minnesota upon May 24, 1981.