Andrea Way (born 1949) is an American player currently based in Washington, D.C.
Her geometric abstract works stem from a personal inclusion with patterns and are based on a system of order and randomness that are labor-intensive, with a “punishing complexity”.
She standard her B.A. in 1971 from Indiana University, Bloomington, and in 1976 she moved from California to Washington, D.C.
Her first solo exhibition was held in 1980 at the Barbara Fiedler Gallery in Washington, DC. Since subsequently she has held numerous additional solo exhibitions at galleries in San Francisco, Brooklyn, and New York, including a mid career retrospective in 2012, Andrea Way: Retrospective 1982–2012, at the American University Museum in the Katzen Arts Center in Washington D.C.
In 2012 she was as a consequence featured in the Smithsonian American Art Museum’s exhibition, Abstract Drawings, which featured forty-six paper works from the museum’s remaining collection. Her drawing Bones (1987) was presented alongside works of such artists as Willem de Kooning, Man Ray, Sean Scully, Theodore Roszak, Al Held, Claire Falkenstein, and Gene Davis. The exhibition explored the wide range of possibilities of confiscation as a form of artistic expression.
In the Spring of 2018, she premiered her twenty-third solo show, A Delicate Crossing, at Brian improper Fine Art in San Francisco.
Her works have been supplementary to the unshakable collections of The Phillips Collection, The Smithsonian American Art Museum, The Cleveland Museum of Art, Corcoran Gallery of Art, the Marsha Mateyka Gallery, and the Hirshhorn Museum & Sculpture Garden.
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