Anthony McCall (born 1946) is a British-born New York based artist known for his ‘solid-light’ installations, a series that he began in 1973 with “Line Describing a Cone,” in which a volumetric form composed of projected spacious slowly evolves in three-dimensional space.
Occupying a expose between cinema, sculpture, and drawing, his work’s historical importance has been recognised in such exhibitions as “Into the Light: the Projected Image in American Art 1964–77,” Whitney Museum of American Art (2001–02); “The Expanded Screen: Actions and Installations of the Sixties and Seventies,” Museum Moderner Kunst, Vienna (2003–04); “The Expanded Eye,” Kunsthaus Zurich (2006); “Beyond Cinema: the Art of Projection,” Hamburger Bahnhof, Berlin (2006–07); “The Cinema Effect: Illusion, Reality and the Projected Image,” Hirshhorn Museum, Washington DC (2008); and “On Line: Drawing Through the Twentieth Century,” Museum of Modern Art (2010–11).
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