17 facts about Artemisia Gentileschi

Artemisia Lomi or Artemisia Gentileschi (,Italian: [arteˈmiːzja dʒentiˈleski]; 8 July 1593 – c. 1656) was an Italian Baroque painter. Gentileschi is considered in the midst of the most skilled seventeenth-century artists, initially operating in the style of Caravaggio. She was producing professional appear in by the age of fifteen. In an era later than women had few opportunities to pursue artistic training or take steps as professional artists, Gentileschi was the first woman to become a devotee of the Accademia di Arte del Disegno in Florence and she had an international clientele.

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Many of Gentileschi’s paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are Susanna and the Elders (particularly the 1610 explanation in Pommersfelden), Judith Slaying Holofernes (her 1614–1620 financial credit is in the Uffizi gallery), and Judith and Her Maidservant (her explanation of 1625 is in the Detroit Institute of Arts).

Gentileschi was known for being practiced to depict the female figure with great naturalism and for her knack in handling colour to song dimension and drama.

Her achievements as an performer were long overshadowed by the bank account of Agostino Tassi raping her later than she was a young girl and her participation in the dealings of her rapist. For many years Gentileschi was regarded as a curiosity, but her vivaciousness and art have been reexamined by scholars in the twentieth and twenty-first centuries. She is now regarded as one of the most innovative and expressive painters of her generation, with the acceptance of her talents exemplified by major exhibitions at internationally esteemed fine art institutions, such as the National Gallery in London.

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