Bernhard Strigel (c. 1461 – 4 May 1528) was a German portrait and historical painter of the Swabian school, the most important of a relatives of artists normal at Memmingen. He was born at Memmingen and was probably a pupil of Zeitblom at Ulm. He stood in high favor like the Emperor Maximilian I, in whose foster he repeatedly journeyed to Augsburg, Innsbruck, and Vienna.
His religious paintings, which count up four altar wings afterward scenes from the “Life of the Virgin,” in the Berlin Gallery, and 10 paintings illustrating the “Genealogy of Christ,” in the Germanic Museum, Nuremberg, are historically interesting, but of less artistic value than his portraits, which, though detailed, are nimbly handled and vivid in color. Notable examples are those of Conrad Rehlinger, lord of Hainhofen (1517), Alte Pinakothek, Munich; “Councilor Cuspinian and Family,” (1520), Berlin Museum; “Count John of Montfort,” at Donaueschingen; “An Unknown Lady,” Metropolitan Museum, New York; and portraits of Emperor Maximilian in the Strassburg, Munich, and Vienna galleries. In Madrid at the Thyssen-Bornemisza Museum three of his Works can be seen, one “Portrait of a man” (1528) and a pair of religious paintings “The annunciation to St. Anne” (1505-1510) and “The Virgin of the Annunciation” also called “The Angel of the Annunciation” (1515-1520). The Royal Academy of Saint Fernando holds a copy upon canvas of his famous work of Emperor Maximilian I and his family.
Media linked to Bernhard Strigel at Wikimedia Commons
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