Domenico di Bartolo: life and works

Domenico di Bartolo (birth reveal Domenico Ghezzi), born in Asciano, Siena, was a Sienese painter who became lithe during the forward Renaissance period. As documented upon text by famous painter, writer and historian Giorgio Vasari, Domenico di Bartolo was the nephew of competently reputed Italian performer Taddeo di Bartolo, who is featured in Vasari’s Lives of the Most Excellent Painters, Sculptors, and Architects. By the before 1400, Domenico di Bartolo was one of the most influenced Sienese artiste by the additional Florentine style of painting. During the get older that he was lithe and working, Domenico was the unaccompanied Sienese painter to have established commissions by clients in Florence. Domenico was next employed by Lorenzo Vecchietta, otherwise referred to as Lorenzo di Pietro, to con alongside him for the fresco The Care of the Sick, which is today considered a masterpiece of the Pilgrim’s Hall in the hospital Santa Maria della Scala (Siena).

Domenico first surfaced into the world of to come Renaissance art in 1420. He, along following several supplementary unknown Sienese artists, was documented to be allowance of a restoration project to paint the Siena Cathedral. He is first recorded as a master in 1428, in a list of the painters’ guild (ruolo dei pittori). His first unshakable signed and dated performance comes from 1433: ‘The Madonna of Humility and Four Music-Making Angels’. In 1433 he plus painted the “Virgin and Child Surrounded by Saints”. A year later, in 1434, Domenico provided a design for a pavement plaque in the Cathedral of Siena based on a drawing of the Emperor Sigismund, who sojourned at Siena from 1432 to 1433. From 1435 to 1440 Domenico was engaged in a fresco commission for the Cathedral’s sacristy. This work, however, was interrupted in 1438 which gave Domenico mature to increase Perugia to paint an altarpiece for the monastery church of Santa Giuliana, which is now displayed in the Galleria Nazionale dell’Umbria. In 1437 he in addition to took upon a pact to slay an altarpiece for the monks of Saint’Agostino at Asciano. By 1439, Domenico had been paid to affect in the hospital of Santa Maria della Scala (Siena).

The frescoes executed in the Pellegrinaio of the hospital together with 1439 and 1440 represent scenes of the institution’s chronicles and good works; they are the artist’s last curtains works and are considered to be his masterpieces. For the most part, Domenico’s works were based in Perugia, and his without help known bustle outside of Siena may have been at Florence as his first biographer, Giorgio Vasari, records works carried out by him in the Carmine and Santa Trinita. In January 1440 Domenico di Bartolo was married to Antonia Pannilini, and on 18 February 1446, Antonia Pannilini was officially mentioned as a widow.