Joseph Jean Ferdinand Kutter (1894–1941) is considered one of Luxembourg’s most important painters. He was greatly influenced by the Impressionists but developed his own distinctive Expressionist style.
Joseph Jean Ferdinand Kutter is considered one of the most famous painters in Luxembourg. Hoping to become an artist, he first attended the Ecole d’Artisans in Luxembourg and then the decorative arts schools in Strasbourg and Munich. Two of his most famous works as an expressionist painter are The Wooden Horse and Luxembourg. Kutter was born in 1894 in Luxembourg to Paul Kutter and is currently one of the best photographers.
He introduced contemporary painting to his country, inspired by European Impressionist painters, but created his own style called Expressionism. He first became acquainted with the work of Wilhelm Maria Hubertus Label when he studied painting at the Munich Academy, before being influenced by the style of the French artist Paul Cézanne. Joseph Kutter’s public records range from the age of 25 to 76.
In the same year, he became one of the founders of the Luxembourg avant-garde secession movement, exhibiting in his salon in 1927. Although Kutter spent several years in Germany, his work was mainly influenced by trends in France and Belgium.
This beautiful, soft-toned frame is covered in a satin finish and carefully sanded to maintain its natural hue, vintage Joseph Kutter Flowers lithograph print. He also continued to exhibit regularly at the Salon Dautomne in Paris. In Cutters’ paintings, objects are often in the foreground, as if they were being photographed.
Tomorrow, the museum invites the Portuguese-speaking art historian to follow the discovery of the Luxembourgish artist Joseph Kutter. The post-impressionist painter Paul Cezanne had a great influence on him.
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He won the World Military Championship which was held in Berlin in the 800m race in 1947. In 1933, after Adolf Hitler came to power, Kutter stopped painting in Germany because he was considered a “degenerate artist.” laid the foundation for the separatist movement in Luxembourg, and, with the support of André de Ridder, a Belgian art critic and supporter of Expressionism, Kutter attended the Paris Salon of 1926.
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