This is Laurens Tan

Laurens Tan (born 1950) is a multidisciplinary Australian artist. His be in includes sculpture, 3D animation, video, and graphics, and is influenced by architectural and industrial design. He lives and works in Sydney, Beijing, and Las Vegas.

His deed is informed by Chinese heritage, language and meaning. Since his at the forefront Beijing series of work, he utilizes the form of the sanlunche (Chinese tricycle) to convey the obscurity of amend in China under economic and cultural transformation. He has shown artwork at the Boston Institute of Contemporary Art, Houston Museum of Art, National Galleries of New South Wales, and the Sydney Powerhouse Museum.

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He was co-curator for the show Always on My Mind: Home at the Seoul National University Museum of Art (2011). Recently, his decree was acquired by the Marjorie Barrick Museum in Las Vegas (2018) and Deakin University in Melbourne (2018)

Tan completed his Doctor of Creative Arts (DCA) thesis “The Architecture of Risk” at University of Technology Sydney, following his academic career as cultural studies educator at the School of Creative Arts at the University of Wollongong (1987-1991). He is currently an complement professor at Tianjin Academy of Fine Arts (2006-) and La Trobe University (2011-) and has taught at further undergraduate and graduate arts programs in the United States, Australia, and China.

Tan served as a Board aficionada in the Asian Australian Art Association in Sydney from 1997 to 2007 and as Artist Advisory Group Member at the Museum of Contemporary Art in Sydney from 2004 to 2006.

Tan’s earlier works from 1990 to 1999 include Re-sited References (Retrospective) at the Queensland University Art Museum (1990), Adapt Enforce V at the Perth Institute of Contemporary Arts (1992), Games & Voices at Macquarie Galleries (1992), Gallery 14 Contemporary Artists Series at the Queensland Art Gallery (1993), Profile of a Counter at Banff Centre in Alberta, Canada (1998), IndyCar Slot at Gold Coast Arts Centre (1998), and Octomat at World Gaming Expo & Congress in Las Vegas. He was also allowance of the international touring exhibition “Elvis + Marilyn: 2 x Immortal” that was shown in the Contemporary Arts Museum Houston and eleven extra American museums (1995).

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As a Las Vegas resident, his art is often inspired by the unique visual culture of the city. His perform in the United States includes Babalogic in the Desert at the Sahara West Library in Las Vegas, shown from 2017 to 2018.

In 2008, he was commissioned to create “Babalogic” for the survey exhibition 2D/3D Negotiating Visual Languages, curated by Wu Hung at the PKM Gallery in Beijing. He was included in two with exhibitions in Beijing curated by Dong Bingfeng: Asian Landmark at the Iberia Center of Contemporary Art (2010), and “Fat Art 2” at the Today Art Museum (2010). Other key Beijing exhibitions include ShiWaiTaoYuan, a public art commission at The Opposite House in Beijing (2012). This proceed continues his synthesis of parentage in contemporary  as capably as Tan’s signature tricycles, alluding to the quick modernization in contemporary Chinese culture.

Tan’s do something has been curated at various contemporary museums and galleries Asia, such as the Kuandu University Art Museum, Taipei Taiwan (2011)., PKM Gallery in Beijing (2008), Shizuoka Prefectural Art Museum in Japan, and Seoul National University Museum of Art and Gana Galleries in Seoul

Tan was commissioned by the City of Sydney to build three giant “See No Evil, Hear No Evil, Speak No Evil” monkeys at the Sydney Opera House in celebration of the Lunar New Year. This particular take effect was in installation from 2016 to 2018. His extra recent commissions in Australia insert his piece Speed/Sudu for the Murray Art Museum Albury (MAMA) in 2016.

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In 2014, he was commissioned by the University of Chicago to create Empire Bookends: Basketcase, a solo exhibition in the university’s Beijing Center.

In 2016, he was commissioned to create Depth of Ease CNY, a solo exhibit of three separate works, for Zappos Downtown in Las Vegas.

In 2017, he was named Visiting Artist at the Neon Museum Las Vegas.

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