Lluís Marsans i Julià (31 December 1930 – 16 January 2015) was a Catalan painter. Born in Barcelona to a wealthy family, he grew happening in Paris, and in 1947 traveled to Mexico and the United States. In 1948 he returned to Barcelona where he studied painting following Ramon Rogent and became loosely allied with the Dau al Set group. In the mid-1950s he became associates with Marcel Duchamp. In the mid-1960s, he destroyed the abstract art he had been making and, influenced by Ramón Gaya, dedicated himself to figurative work. Between 1966 and 1970, he explored the world of Marcel Proust’s work In Search of Lost Time in a suite of drawings which he exhibited at Trece Gallery in Barcelona in 1972. In 1980 he had a solo exhibition at Galerie Claude Bernard, Paris. In 1985 he was included in the outfit show Representation Abroad at the Hirshhorn Museum and Sculpture Garden in Washington, D.C.
Marsans painted many still-lifes and landscapes, usually in little formats and using unclean techniques. He is known especially for paintings of shelves filled subsequently books, a subject he painted beyond a hundred times. In 1985, John Ashbery wrote that Marsans’ works “suggest nineteenth-century American trompe-l’œil painting. Steeped in the spacious of memory, a Coke can and a Bic lighter become votive objects…” Described as a realist, Marsans says of his attachment to realism: “One cannot paint what one sees…. One can and no-one else paint what one remembers…. It is the identification taking into consideration some realities from the past”.
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