Masaccio (, US: /məˈsɑːtʃioʊ, məˈzɑːtʃ(i)oʊ/,Italian: [maˈzattʃo]; December 21, 1401 – summer 1428), born Tommaso di Ser Giovanni di Simone, was a Florentine artiste who is regarded as the first great Italian painter of the Quattrocento mature of the Italian Renaissance. According to Vasari, Masaccio was the best painter of his generation because of his gift at imitating nature, recreating lifelike figures and movements as capably as a convincing wisdom of three-dimensionality. He employed nudes and foreshortenings in his figures. This had seldom been done since him.
The herald Masaccio is a humorous savings account of Maso (short for Tommaso), meaning “clumsy” or “messy” Tom. The publish may have been created to distinguish him from his principal collaborator, also called Maso, who came to be known as Masolino (“little/delicate Tom”).
Despite his brief career, he had a puzzling influence upon other artists and is considered to have started the Early Italian Renaissance in painting taking into consideration his works in the mid- and late-1420s. He was one of the first to use linear point in his painting, employing techniques such as vanishing tapering off in art for the first time. He moved away from the International Gothic style and elaborate frill of artists taking into account Gentile da Fabriano to a more naturalistic mode that employed slope and chiaroscuro for greater realism.
Masaccio died at the age of twenty-six and Tiny is known practically the perfect circumstances of his death. Upon hearing of Masaccio’s death, Filippo Brunelleschi said: “We have suffered a great loss.”
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