Max Klinger (18 February 1857 – 5 July 1920) was a German player who produced significant perform in painting, sculpture, prints and graphics, as capably as writing a treatise articulating his ideas upon art and the role of graphic arts and printmaking regarding painting. He is united with symbolism, the Vienna Secession, and Jugendstil (Youth Style) the German manifestation of Art Nouveau. He is best known today for his many prints, particularly a series entitled Paraphrase upon the Finding of a Glove and his monumental sculptural installation in homage to Beethoven at the Vienna Secession in 1902.
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