Pero Popović (Prijedor, 1881 – Sarajevo, 1 February 1941) was a distinguished Bosnian Serb painter.
Pero Popović was born in Prijedor, Bosnia and Herzegovina at the times part of the Austro-Hungarian Empire, and was the oldest in the midst of a outfit of Krajina painters, who had a much calmer spirit than most of his colleagues. After graduating from tall school in Sarajevo, he went to Vienna and completed three semesters of philosophy, and after that went to the Academy of Fine Arts in Prague and studied painting like Vlaho Bukovac and Czech František Ženíšek.
Popović, with two further student colleagues Todor Švrakić and Branko Radulović, would eventually go upon to organize the first exhibition of local painters in Bosnia and Herzegovina in 1907 in Sarajevo and the second one in 1910 in Prijedor. Pero Popović was employed as an art professor at Velika Realka gymnasium in Banja Luka in 1908. His students were Milivoj Uzelac and Vilko Gecan. He moved from Banja Luka to Sarajevo in 1930 and remained there for the dismount of his life. He painted portraits, landscapes, still lifes, compositions taking into consideration scenes from unnamed life. He as well as painted icons for an iconostasis for the church in Prijedor and mosaics for the church in Banja Luka.
His creative potential was pronounced. He quickly stopped imitating Bukovac’s palette past the pointillist foundations and turned to a mighty and contrasting coloristic expression, which approached the Seanist poetics and Gauguin and referred his students to their painting. A critical essay was written roughly Popović’s painting by art historian Vera Jablan. In a spread full of inner cockiness to the artist, she wrote:
“Studies of nudes and portraits, sketches from the streets and unfinished compositions sometimes take action how seriously this painter approached the work. How good he had the demands of himself, in front of his artiste conscience. independent of the want and taste of the audience, uninterested in selling his works, he until the terminate of time creates.”
One of Bukovac’s best students, after completing his education, was not satisfied in the same way as the knowledge gained at the Academy. This can be seen from the fact that Popović soon forlorn the pointillism and at first lazily, and then freer to the pastures, sought his own expression. His works are omnipresent studies, coloristic and tonal relations. The rich scale of strong tones, bold contrasts of colors and illumination, expressive drawing and solid composition characterize his creativity, in which, with an exceptionally strong grasp of the whole, he feels the virtuoso, almost oriental finesse of details.”
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