This is Philippe Calandre

Philippe Calandre (born 1964) is a French artist whose feign is a assimilation of photography, painting and video.

Born in Avignon in 1964, he took to the seas at age 16 where he stayed upon for two years as a shipman. This voyage, an start of sorts, covering the Northern Atlantic to the South Pacific sharpened his sensibilities, taught him an salutation of right of entry spaces for that reason allowing the elements to disturb his spirit.

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Back upon terra firma for health reasons, never to go incite out to sea, he tries to voyage by dabbling in painting, sculpture, music and especially photography, which he holds close to heart. The accretion of photos by Brassaï entitled Paris de nuit would inspire his work. He began by learning to adjoin up photos like an obsolete salt of a photographer who lived in the neighbourhood, then on his own. His career as a photographer was coming on to take off.

During a banal portrait shoot he came to the talent that what he was looking at seemed to be more charming to him through his lens than in reality. It was at this point that he realized that he would be an artist.

Over the course of several years he shared his period between personal research, which had him globetrotting from Bolivia to Russia, and his undertaking as a photographer in the press. This world, however, with its own specific photographic language began to wear upon Calandre. He decided, at this point, to dedicate himself to a more artistic edit to photography where he could look himself freely.

After two exhibits in Paris and Beirut, a Parisian gallery, Zabriskie, decided to swell his exploit alongside those of Weegee and Leonard Freed as ration of its « Une nuit, un voleur » series (in 1996). A few years later, the National Fund for Contemporary Art acquired ‘Ghost Stations’, a series depicting forlorn gas stations that the artiste came on during his highway rambling.

Philippe Calandre is particularly curious in architectural photography and yet life. In anything his series, reality serves as the opening from which he creates his own worlds where an ambiguity, or perhaps even a confusion, between the real and the imagined settles in. His studies often were used as a springboard to put the accent on everyday architectural aspects, pulled from their daily lifelessness and unqualified life. Gas stations, then his ‘silos’, which were presented at FIAC in 2001 by Anne Barrault, the Parisian gallery, with whom the player collaborated from 1999 to 2007, were lifted to the realm of the supernatural.

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For ‘Insomnia’ (2006), which depicts weird nocturnal apparitions Calandre plunges into the world of the fantastic with his resolution and spooky scenes.

As in advance as 1996, his various series have been displayed in galleries, museums and contemporary art shows in France and abroad from Greece to Argentina to the Netherlands and help to New York and Taiwan.

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