Pierre Brissaud (23 December 1885 – 17 October 1964) was a French Art Deco illustrator, painter, and engraver whose daddy was Docteur Edouard Brissaud, a student of Docteur Charcot. He was born in Paris and trained at the École des Beaux-Arts and Atelier Fernand Cormon in Montmartre, Paris. His fellow Cormon students were his brother Jacques, André-Édouard Marty, Charles Martin, Georges Lepape. Students at the workshop drew, painted and designed wallpaper, furniture and posters. Earlier, Toulouse-Lautrec, van Gogh, and Henri Matisse had studied and worked there. His older brother Jacques Brissaud was a portrait and genre painter and his uncle Maurice Boutet de Monvel illustrated the fables of La Fontaine, songbooks for children and a moving picture of Joan of Arc. A first cousin was the highly praised artist and celebrity portrait painter Bernard Boutet de Monvel.
Brissaud is known for his pochoir (stencil) prints for the fashion magazine Gazette du Bon Ton published by Lucien Vogel, Paris. Many of his illustrations are feasible leisure scenes of the well-to-do. They illustrate the designs of Paris fashion houses such as Jeanne Lanvin, Chéruit, Worth, and Doucet. Brissaud’s illustrations appeared in Vogue after it bought Bon Ton in 1925, as without difficulty as House & Garden and Fortune, and in books like Madame Bovary, Manon Lescaut, Mémoires de Saint-Simon, the autobiographical novels of Anatole France, Two gentlemen of Verona and many others.
In 1907 he exhibited at the Salon des Indépendants and the Salon d’Automne.
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