Abraham Bosschaert the Younger (II.) (1612–1643) was a Dutch Golden Age painter.
Bosschaert was born in Middelburg. According to the RKD, he was a supporter of the Bosschaert dynasty. Like his father Ambrosius Bosschaert and older brothers, he signed his works gone a monogram; AB, but this was forlorn discovered in 1992. His older brothers Ambrosius Bosschaert II and Johannes Bosschaert were his first teachers after the death of his father in 1623, but he plus took lessons from his uncle Balthasar van der Ast in Utrecht from 1628-1637. In 1637 he moved to Amsterdam, but by 1643 he had returned to Utrecht, where he was buried upon April 4, 1643.
Media associated to Abraham Bosschaert at Wikimedia Commons
His brothers Johannes Bosschart and Abraham Bosschart also became flower painters. This painting, a rare and small-format work of the short-lived artist Abraham Bosschaert, presents the work of the Middelburg artists (see Johannes Bosschaert appears to have been a talented artist from an early age, few of the surviving works are mostly horizontal. In format and heavily influenced by their uncle Balthasar van der Asta.
Retro flowers in a vase created by Dutch artist Abraham Bosschaert in 1632. This wall clock is the perfect complement to any room in your home or office. In our blog about Balthasar van der Ast, we took Balthasar as an example to get a rough idea of still life. I noticed that Balthasar’s sister married Ambrosius Bosshart the Elder (1573-1621), and after the death of her father, Balthasar van der Ast had left the “dynasty” of his sister family Bosshart. Balthasar van der Ast focused entirely on still life painting. Although his first creative period was still focused on Bosschaart, the artist quickly got rid of the mastery. In the early 17th century, Ambrosius Bosschaert and Jan Brueghel the Elder paved the way for the golden age with superb large-scale bouquet paintings, which often used wonderful hybrid designs that would never bloom at the same time in nature.
This is typical of the paintings of the Bosshart family and was copied. About the artists Bosshart. The artists belong to two different family groups. This is a large flower painting by Abraham van Diepenbeck around a central cartouche, which was found at one of the Sothebys old masters’ sales when the financial crisis continued in 2009. Like other still lifes from that period, his bouquets are a mixture of flowers of different colors. seasons, without specifying the date of flowering obtained from the study of single flowers.
According to Antwerp records, Ambrosius Bosshart had a student named Villeken Bosshart (meaning “little Willie”). Bosshart’s group was in Bergen op Zoom in 1930-1940 with the intention of juxtaposing the work of Thomas Willebrordus. Bosshart likes to subtly display thin drops of dew on the leaves here, behind the vase.
The painting by Abraham Boucharts presented at the beginning of this post is by no means overwhelming. Through his masterpieces, he provided Holland with premises for a flower production capable of competing with the masters of Antwerp and which will develop over the century, from the school he creates in Middleburg to the large and abundant bouquets of the late 19th century. century (Van Guysum, Ruysch, Migno …). It currently houses a magnificent painting by Bartholomeus van Wingen, dating from 1670, which depicts a vase of spring tulips, peonies, lilacs, sweet peas and jasmine (£ 95,000), as well as a painting by Abraham Bruegel of the same year with roses, primulas and jasmine in urn (£ 48,000). Bosschart is one of the pioneers in the history of still life and the first artist to devote himself only to bouquets.
All this contributes to a renewed interest in carefully observed and painstakingly painted products during a period when hundreds of professionals labored fruitfully to satisfy the unprecedented demand for art. According to the RKD, his work is confused with that of his father, mainly because he wrote in a similar style and signed the same monograph. He died in The Hague in 1621 while working on a flower painting commissioned by Prince Maurice de Nassau of Orange. The seventh and to this day the only known painting by our artist, depicting a vase on an open entablature, was kept at the County Museum of Art in Los Angeles (donation by Mr and Mrs Edward Carter M.2003.188.7, 28 x 23 cm).
Thanks to his skillful brushwork and drawing on his life experience, he creates images in which the viewer feels that he has really become one with the object. If you are a reseller or a museum that is not currently registered, click here to register, then you can select your artist and submit a biography.
Roelandt Saveri, Joris Höfnagel and Jan Brueghel the Elder create the first painted bouquets. “Artist John Doe is the consummate master of light, color and scene. The law has changed in the United States, it depends on when the job was originally created.
For top dealers and museums already registered with askART, the best approach is to log in, select an artist (as soon as they appear on your list of artists) and submit their bio there. His brilliant canvases are full of sentiment, where love is felt with all the senses. Daniel Segers’ painting of roses, ivy and butterflies was sold to Christies this summer for £ 40,000.
What do you think of the works of Abraham Bosschaert?
Use the form below to say your opinion about Abraham Bosschaert. All opinions are welcome!