Mary Shelley (born 1950 in Doylestown, Pa) is an American folk player with no formal visual art training. Her art piece of legislation has variously been described as naïve, primitive or self-taught. She graduated from Cornell University in 1972 past a degree in English and Creative Writing, and has lived her entire adult sparkle in Ithaca, NY. She began making her painted low bolster woodcarvings in 1974, after her father sent her a painted woodcarving (inspired by the art produce an effect of Mario Sanchez, Key West, Florida) that he made of Shelley as a child at the relations farm. Shelley worked as a sign painter and carpenter from 1973 to 1990, and learning these trades helped her to fabricate woodworking and design skills important to her encroachment into a visual artist.
Her decree was shown at the Jay Johnson Folk Heritage Gallery from 1976 through 1990 in the vent of the gallery closed. From the start of her career until 2008, she has produced upwards of 2000 painted and carved wooden reliefs.
Shelley calls her put it on a “picture story” or “picture diary”. Many of her pieces are concerned bearing in mind narrative, the telling of a story, the recording of an event. Shelley plays as soon as metaphor, using cows and waitresses as stand-ins for her cartoon experiences and feelings as a woman. Her pretense frequently contains veiled social commentary. She tends to bill in series, the major among these beast her diner, farm, outdoor, animal and drive series.
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