This is Master of the Legend of the Magdalen

The Master of the Legend of the Magdalen (sometimes called the Master of the Magdalen Legend) was an Early Netherlandish painter, active from just about 1483 to a propos 1527. He has not been identified; his pronounce of openness is derived from a large, now-dispersed altarpiece past scenes from the animatronics of Mary Magdalene, which has been old-fashioned to in the midst of 1515 and 1520 based upon the costumes of the donor portraits. However other works official to him are extremely hard to date considering any accuracy. Many paintings have been linked taking into account the triptych, which is thought to have been the end late in the artist’s career. Other major works enhance his two Magdalen panels in London.

He is not to be disconcerted with the “Master of the Mansi Magdalen” (fl. ?Antwerp, c. 1515–25) or the Magdalen Master (fl. Florence, c. 1265–90).

Some of his portraits recommend a doable link in the same way as artists in Brussels, and it is thought that he worked there, and headed a large workshop. An early involve appears to have been Rogier van der Weyden; his sham also shares characteristics later that of Bernard van Orley, and a join with the Master of the Death of the Virgin (Joos Van Cleve) has been suggested. Like van Orley, this performer is believed to have been lithe in the court of Margaret of Habsburg, regent of the Netherlands from 1507 until 1530. Works recognized to the Master are in the collections of the National Gallery, London, the Philadelphia Museum of Art and the Fitzwilliam Museum in Cambridge.

He is sometimes united with Pieter van Coninxloo based on similarities of style, time and location. A number of art historians, including Max Friedländer, who first made the relationship between the works now official to the Master of the Legend of the Magdalen, have speculated that they may have been the same person. It is possible also that van Coninxloo for a era was a advocate of the master’s workshop.

Thirteen versions of a portrait format image of “The Magdalen” were painted by the Master of the Magdalen Legend and his workshop amongst the years of 1510-20. This fragment in particular was originally thought to depict Mary of Burgundy below the guise of the Magdalen, but it has before been discovered to be her daughter, Margaret of Austria. The faint trimming in the involve of a halo above the head of the sitter implies it is of a saint, and she wears a dress same to those worn by 16th century courtesans, which was representative of Mary Magdalene’s sinful past. The jar of ointment which she holds was the normal attribute of the Magdalen, as she was known for pouring this ointment upon Jesus’s feet.