Ludwig von Hofmann (17 August 1861, Darmstadt – 23 August 1945, Pillnitz) was a German painter, graphic player and designer. He worked in a captivation of the Art Nouveau and Symbolist styles. His perform was allocation of the painting matter in the art competition at the 1928 Summer Olympics.

Ludwig Von Hofmann

Ludwig von Hofmann (1861-1945) was an important German Symbolist painter, but his work is little known today. He was an active participant in the Berlin art scene and was deeply interested in the latest trends in art. In 1892 he was one of the founders of the Die XI group of artists, was an active participant in the Berlin art scene, contributing to various modern trends, and met Max Liebermann, Lovis Corinth, Walter Leistikov, Franz Skarbina and Max Klinger. … In 1903 he was appointed professor at the Grand Duke’s Weimar Saxon School of Art, where he became a member of the avant-garde literary and artistic group dedicated to Harry Graf Kessler.

In 1903, after being invited to become a professor at the Saxon Academy of Art at the Archduke Weimar, he got acquainted with Earl Harry and Henry Van der Veld of Kessler, pioneers of art and literature, and he became an important member of the Academy. The New Weimar Movement. There, he was one of the founders of “Eleventh” and the Berlin Secession. The founding of the Berlin Secession (1898) was the first public rebellion against academic traditions and paved the way for the emergence of modern German art movements such as Expressionism. After 1895, he regularly wrote illustrations for Art Nouveau magazines. He taught at the Weimar School of Art and the Dresden Academy of Art, where he led a memorial painting course.

In 1883, he began to study at the Dresden Academy of Arts, and in 1886 he transferred to the class of Ferdinand Keller (Ferdinand Keller) at the Karlsruhe Academy. Ludwig began his studies at the Dresden Academy of Fine Arts in 1883, and then studied under Ferdinand Keller at the Karlsruhe Academy of Fine Arts. Ludwig studied in Dresden, Karlsruhe and Paris, and was in the eleventh group like [Max Liebermann] after the secession of Berlin. He gradually turned away from the attention of the art world because his “Acadia Beauty Fantasy” (Thomas Mann) was not adapted to the new era of trenches, wars, and world revolutions that began in August 1914.

During his stay in Paris, the works of the Symbolist painter Puvis de Chavannes and the impressionist painter Paul-Albert Beznard made a special impression on him. Ludwig von Hofmann was a German artist whose work had already appeared in the Deutsche Kunst und Dekoration example above. Like many great German painters of his time, Ludwig von Hoffmann’s original paintings and prints did not fit into the stifling category of state-approved art. His work was part of an art competition at the 1928 Summer Olympics.

During his lifetime, the artist was able to include several outstanding figures in his collectors, including Queen Elizabeth of Austro-Hungary and art historian Heinrich Wolflin, as well as William von Bode. Influenced by Symbolism and Art Nouveau, his plot shows that the acceptance of antiquity is related to his thoughts on Arcadia, just as our wonderful illustration of the pastel paintings of the Dionysus group. This original print entitled “Life” is an example of the famous art of Ludwig von Hofmann. In 1905, Hugo von Hofmannsthal wrote a preface to Ludwig von Hofmann’s “Ludwig von Hofmann’s Dances”, and also It depicts ancient scenes and graceful characters, behind which “the outline of the island often protrudes from the lyre-like southern bay in the sky.” Morning.” As a poet described it, he is in the paintings of von Hoffmann Discovered the imaginary and utopian antiquity.

Hoffman called his painting “Spring Storm” and became an important work of German Art Nouveau. If it is not a cult work of the German modern movement, then this is at least an image that affirms and enjoys the inner freedom surrounded by nature. This shows that even in the mature period of his creation, the artist is still committed to the Arcadia theme of harmony with the human community in a paradise environment-this is his work in Puvis de Chavanne during his youth in Paris in 1889/90 The subject encountered.

I find Hofmann’s work a source of inspiration because creating portraits in front of a landscape reminds me of some of my paintings. While Mann apparently never explicitly states what was the inspiration for these images, he knew that Hofmann had succeeded and returned to researching the artist in monographs.

George considered Ludwig von Hoffmann a member of his circle for at least some time. Ludwig von Hoffmann (Darmstadt, August 17, 1861-Berlin, August 23, 1945)-German artist, known for his paintings and drawings (between the Impressionists and the Secessionists) And his decorative cycle. Ludwig von Hoffmann, August 17, 1861), Darmstadt-August 23, 1945, Pillnitz)-German painter, graphic artist And design.

This work is in the public domain in its country of origin, as well as in other countries and regions where the copyright period is the life of the author plus 70 years or less. This way you will see original copyright references, library stamps (since most of these works were stored in our main libraries around the world) and other annotations in the work. This work of art is in the digital collection of the Belvedere, one of Europe’s most renowned museums with three locations that uniquely combine architecture and art experiences.

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